I store the Final Cut Pro library on a highly portable external 2TB LaCie Rugged SSD Pro drive so that I don’t fill up my Mac with video files. I currently run Final Cut Pro on a 15-inch Apple MacBook Air. I used to edit in Final Cut Pro on a 2017 iMac but that was beginning to show its age and my footage in Final Cut Pro could skip frames. For example, once compositing a person into a new background I flatten the layers together then add some camera shake to unify all of the compound clip’s elements. You can then turn these multiple layers into a compound clip and then drag and drop an effect onto the compound clip to alter all of its contents at once. It also has a garbage matte that you can use to extend the transparency of a layer if you don’t have enough green backdrop behind your main subject. If you need to replace a green background with a clip on another layer then Final Cut Pro has a decent Green Screen tool to help you fill holes in a subject and adjust problems such as green spill. I can then play the Multicam clip in the timeline and tap a key when I want to cut from one camera angle to another in the main viewer - as if I was vision-mixing live! This is a very fast and easy way to sync and edit multiple clips! Final Cut Pro then uses the audio in the clips to combine them into a synced Multicam clip. I can shoot a scene using multiple cameras to cover a range of angles and shot sizes. YouTube can of course generate subtitles automatically but it’s far from accurate, especially with people’s names.Īnother key feature that I use a lot is Multicam. srt file that you can attach to your edited show on YouTube. You can also add subtitles to a dedicated caption track and export the subtitles as an. (Image credit: George Cairns / Digital Camera World)įinal Cut Pro lagged behind Premiere Pro for a long time when it came to motion tracking, but now Apple’s app can recognize and auto-track an object or face so you can attach a caption or effect to the moving subject. Here we’re looking at the Color & Effects Workspace. Some Motion templates on this webpage are available from Cut Pro provides a range of scopes that enable you to analyse the spread of colours and tones in a clip while you grade it.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex 5-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD.Prerelease Final Cut Pro 10.6.2 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a 1-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15.
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